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SDG
I know that my redeemer lives (O joyful sound! o glorious hour). Ik weet dat mijn Verlosser leeft, Joh. de Heer 113.
SDG
0:53 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 6 100%
T B Bass 10 1 0 6 86%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 6 100%
T B Bass 10 1 0 6 86%
 
All to Jesus, I surrender. k geef mijzelf aan U volkomen, (Joh. de Heer 585)
SDG
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 4 0 5 100%
Tenor/Bass Bass 11 0 0 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 4 0 5 100%
Tenor/Bass Bass 11 0 0 7 93%
 
1. Das Wandern, die schöne Müllerin, Schubert. Piano accompaniment, with lyrics and notes vocal part (to use for singing).
SDG
1:05 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Bass 13 6 4 3 96%
Bass 9 3 0 2 96%
Singstimme Treble 8 0 0 4 74%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Bass 13 6 4 3 96%
Bass 9 3 0 2 96%
Singstimme Treble 8 0 0 4 74%
 
Er is een overheerlijk land, een land van zuiver licht. JdH 114. Arrangement: Gertim
SDG
0:51 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 0 5 98%
Tenor/Bass Bass 13 0 0 4 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 0 5 98%
Tenor/Bass Bass 13 0 0 4 93%
 
24. O, dierb're Jezus vol genade
SDG
0:37 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 12 0 2 4 91%
T/B Bass 12 0 0 4 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 12 0 2 4 91%
T/B Bass 12 0 0 4 91%
 
Softly and tenderly Jesus is calling
SDG
1:28 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 3 5 100%
T B Bass 12 0 0 5 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 3 5 100%
T B Bass 12 0 0 5 91%
 
172. De Heer is trouw; Hij zorgt voor al de zijnen.
SDG
0:39 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 2 4 97%
Bass 14 0 0 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 11 0 2 4 97%
Bass 14 0 0 5 97%
 
Away in a manger (III), Spilman, Christmas
SDG
1:12 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 12 0 0 3 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 12 0 0 3 88%
 
177. W' aanbidden U! Wees, Heer, geprezen!
SDG
0:42 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 1 3 94%
T B Bass 13 0 0 4 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 1 3 94%
T B Bass 13 0 0 4 94%
 
236. Lobt Gott, ihr Christen allzugleich (Nun danket All und bringet Ehr). BWV 195/6.
SDG
0:32 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 7 0 1 4 100%
Treble 7 0 1 4 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 7 0 1 4 100%
Treble 7 0 1 4 100%
Oboe Treble 10 0 2 5 45%
Treble 7 0 1 4 100%
Violin Treble 11 0 2 5 45%
Treble 7 0 1 4 100%
C
Trumpet		 Treble 12 0 1 4 95%
Soprano/Alto Treble 15 0 3 5 95%
Contrabass Bass 13 0 0 4 91%
Viola 13 0 3 4 91%
Violoncello Bass 13 0 0 4 91%
Tenor/Bass Bass 18 0 3 6 86%
Timpani Bass 2 0 0 4 82%
 
130. Herr Gott, dich loben alle wir. BWV 326.
SDG
0:30 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Tenor		 Bass 6 0 0 4 100%
Soprano Treble 8 0 0 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
extra
Tenor		 Bass 6 0 0 4 100%
Soprano Treble 8 0 0 4 100%
C
Trumpet		 Treble 11 0 1 5 95%
Soprano/Alto Treble 11 0 0 5 95%
Tenor/Bass Bass 12 0 0 4 95%
Bass Bass 10 0 0 3 50%
Contrabass Bass 10 0 0 3 50%
Violoncello Bass 10 0 0 3 50%
 
109. Gelobet seist du, Jesu Christ. BWV 91/6.
SDG
0:32 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 12 0 2 4 100%
Soprano/Alto Treble 13 0 2 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 12 0 2 4 100%
Soprano/Alto Treble 13 0 2 3 100%
Tenor Treble 10 0 2 3 100%
Tenor/Bass Bass 19 0 4 4 100%
Timpani Bass 2 0 0 4 91%
Contrabass Bass 12 0 3 4 50%
 
There is Power in the Blood. Daar is kracht in het bloed. Lewis E. Jones.
SDG
0:47 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 0 7 100%
Tenor/Bass Bass 9 0 0 7 94%
Contrabass Bass 5 0 0 7 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 0 7 100%
Tenor/Bass Bass 9 0 0 7 94%
Contrabass Bass 5 0 0 7 50%
 
230. Lobe den Herren, den mächtigen König der Ehren. BWV 137/5, BWV 120a.
SDG
0:50 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 9 0 2 5 50%
Treble 8 0 0 7 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 9 0 2 5 50%
Treble 8 0 0 7 100%
C
Trumpet		 Treble 12 0 2 6 100%
Soprano Treble 8 0 0 7 100%
Soprano/Alto Treble 14 0 2 7 100%
Tenor/Bass Bass 16 0 1 5 100%
Viola 9 0 1 4 100%
Timpani Bass 2 0 0 6 89%
Contrabass Bass 12 0 0 5 51%
Violoncello Bass 12 0 0 5 51%